|
Indian classical dance is a relatively new umbrella term for
various codified art forms rooted in Natya, the sacred Hindu musical
theatre styles, whose theory can be traced
back to the Natya Shastra of Bharata Muni (400 BC).
Definition
These are:
* Dances performed inside the sanctum of the temple according to the
rituals were called Agama Nartanam. Natya Shastra classifies this
type of dance form as margi, or the soul-liberating dance, unlike
the desi (purely entertaining) forms.
* Dances performed in royal courts to the accompaniment of classical
music were called Carnatakam. This was an intellectual art form. *
Darbari Aattam form
For lack of any better equivalents in the European culture, the
British colonial authorities called any performing art forms found
in India as "Indian dance". Even though the art of Natya includes
nritta, or dance proper, Natya has never been limited to dancing and
includes singing, abhinaya (mime acting). These features are common
to all the Indian classical styles. In the margi form Nritta is
composed of karanas, while the desi nritta consists mainly of adavus.
The term "classical" (Sanscr. "Shastriya") was introduced by Sangeet
Natak Akademi to denote the Natya Shastra-based performing art
styles. A very important feature of Indian classical dances is the
use of the mudra or hand gestures by the artists as a short-hand
sign language to narrate a story and to demonstrate certain concepts
such as objects, weather, nature and emotion. Many classical dances
include facial expressions as an integral part of the dance form.
Eight classical dances
Sangeet Natak Akademi currently confers classical status on eight
Indian dance styles
Other Art Dances yet to be conferred as Classical Dances, whose
theories can also be traced back to the Natya Shastra are-
1. Andhra Natyam - Telugu Art Dance
2. Vilasini Nrityam/Natyam - Telugu Art Dance
Out of the eight styles, the only two temple dance styles that have
their origin in Natya Shastra and are prescribed by the Agamas are
Bharatanatyam and Odissi. These two most faithfully adhere to the
Natya Shastra but currently do not include Vaachikaabhinaya (dialog
acts), although some styles of Bharatanatyam, such as Melattur
style, prescribe the lip movements indicating Vaachikaabhinaya.
Kuchipudi, which also prescribes the lip movements indicating
Vaachikaabhinaya, and Mohiniyattam are relatively recent Darbari
Aatam forms, just as Kathakali, and two eastern Indian styles,
Manipuri and Sattriya, that are quite similar.
Kathak originated as a temple dance. Some believe it evolved from
Lord Krishna's raas lilas. The style gradually changed during the
Mughal period under the influence of Persian dance, a major change
being straight knees instead of the bent knees used in most other
Indian classical forms. Intricate footwork and spins, as well as
abhinaya, are the highlights of Kathak.
Currently, Sangeet Natak Akademi does not consider the recently
reconstructed dance styles of Andhra Pradesh such as Andhra Natyam
and Vilasini Natyam as "classical". Bharatanrithyam, despite being
the one most closely following Natya Shastra's precepts, is
considered as a variety of Bharatanatyam.
Sabha
Sabhas are the organizations involved in the promotion of classical
art forms in South India. Ganamukundhapriya is one such Sabha that
specialises in classical dances.
|
|