This book is still studied all over India, more so in the south. It is
composed in a combination of verse and prose form. It was written by
Vagbhata around the 7th century AD. It is predominantly based on the
teachings of Caraka and Susruta Samhitas though it also gives its own
views on different topics. Commentaries on Ashtanga Samgraha were
written by Arunadatta about 1220 A.D. and by Hemadri a few decades
later.
Ashtanga Hridya Samhita is divided into sutra , nidana, sharira,
chikitsa, kalpa, and uttara sthana, and was also written by Vagbhata. It
contains 120 chapters and the author quotes Charaka, Susruta Bhela, Nimi,
Kasyapa, Dhanvantari and other earlier authors and their works; the
chief source, however, is Ashtanga Samgraha. It s a complete but concise
description of Ayurvedic medicine.
Particular stress is laid upon surgery. It does not mention the user of
opium in the treatment of diseases and feeling of the pulse for
diagnosis. Use of 'killed' (oxidized) metals is also not given in it.
Sutra-sthana of Ashtanga Hridya is especially famous and popular. A
popular later couplet says : "The best authorities in medicine are
Madhava for nidana (diagnosis) , Vagbhata for sutra sthana (theoretical
basis or general principles), Susruta for shrira (structure of the body)
and Charaka for chikitsa (treatment)."
Ashtanga Hridya has all along been a very popular treatise. Commentaries
on it have been written from time to time by as many as 35 important
Ayurvedic physicians, each one interpreting it to the best of his
knowledge and experience.
Ashtanga Hridya was translated from Sanskrit into Persian in A.D. 1473
by Hakim Ali Mohammed Bin Ali Ismaili Asavali Aseeli, and dedicated to
Mahmood Shah I, the ruler of Gujarat.
Ashtanga Samgraha and Ashtanga Hridya, particularly the latter, indicate
advancement in knowledge over the two samhitas of Charaka and Susruta.
This is particularly noticeable in the new drugs and some of the new
surgical procedures that have been introduced. These treatises of
Vagbhata were extensively used and, in fact, they overshadowed the
earlier samhitas to the extent that some portions of them were lost
never to be recovered. Later writers like Sharangadhara, Chakrapanidatta
and Bhavamisra quoted these treatises repeatedly in their works.
Rug Vinishchaya
Rug Vinishchaya, Madhavakara's famous treatise, is written in simple
language and style. It is easily understandable by ordinary physicians
and became very popular and came to be known as Madhava nidana or simply
Nidana. It specializes in the diagnosis of the diseases. The order in
which it describes the causes, symptoms and complications of the
important diseases sets an example for the future authors such as Vrinda,
Vangasena and Chakrapanidatta. Its description of diseases shows a
significant advancement compared with that of Charaka and Susruta
Samhita.
A special chapter is devoted to small-pox, which previously was
described only in a minor way. It, however, literally quotes, many a
time, Charaka and Susruta, which shows the borrowing it made from these
sources.
In later times, numerous commentaries were written on Madhava's Nidana,
which indicate the fame and popularity of this work. The most famous of
these commentaries was Madhukosh by Vijayaraksita and his pupil
Srikanthadatta in the fourteenth century. The other commentary
Antak-darpan by Vachaspati also belongs to the later half of the
fourteenth century.
The time of Madhavakara, son of Indrakara, cannot be stated with
certainty. Vagbhata mentions Charaka and Susruta but not Madhava.
Madhava, on the other hand, does not mention anything about Dridhabala's
edition of Charaka Samhita. So Madhava came after Vagbhata but before
Dridhabala. Furthermore, Vrinda knew about Madhava. These indirect
sources indicate that Madhava may have existed in the ninth or tenth
century A.D.
Siddha Yoga
Vrinda composed Siddha Yoga probably around 1000 A.D. This treatise is a
medico-chemical work which incorporates some of the material from
Charaka, Susruta, Vagbhata, Madhavakara and Nagarjuna. This became very
popular. A commentary called Kusumavali was written on it by Sri
Kanthadatta around fourteenth century A.D. The commentator states that
Sidha Yoga makes particular mention of the diseases prevalent in western
India ; may be Vrinda belonged to that region. Siddha Yoga is in the
nature of a samgraha and follows the methods of Vagbhata and others and
gives a survey of the classical method of treatment. This is the first
large treatise dealing with the prescriptions ; in it Vrinda prescribes
mercury for internal use. Siddha Yoga of Vrinda was considered to be
very important treatise. It was among the books translated into Arabic.
Rasaratnakara
Rasaratnakara deals with the preparation and use of metallic compounds,
more particularly of mercury (rasa). It describes certain recipes in
which vegetable or animal products are used to transform other metals
into compounds which look like gold and could be passed off as gold.
These compounds, particularly of mercury, were prepared and used in
order to make the body undecayable and strong.
Rasaratnakara was written by Nagarjuna. From the internal evidence of
this book, it appears, it is a work composed after the time of Vagbhata
t.e., in the eighth century. Alberuni mentions of a Nagarjuna resident
of the fort Daibhak near Somnath, who composed a book Rasayana.
According to him, this Nagarjuna lived about a hundred years before his
times. It appears, Natarjuna lived sometimes between the eighth and
ninth century A.D. Nagarjuna composed some other works also, which
include Kakshaputa Tanim and Arogya Manjari. According to Dalhana, a
commentator of Susruta, Nagarjuna reconstructed Susruta Samhita and
added Uttara tantra to it. Nagarjuna was quoted as an authority on
rasayana by later authors such as Vrinda and Chakrapani.
Until the seventh and eighth centuries, Ayurvedic drugs consisted mainly
of vegetable products. Metals, such as iron, silver, tin and lead, were
very sparingly used for medical purposes. Use of metallic compounds
particularly began with Nagarjuna and it increased progressively.
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