Life is real, only then
when 'I am' - GurdjieffThis, again,
is a piece written by Gopinath Kaviraj published in the Princess of
Wales Sarasvati Bhavan Series, Vol VI, 1927. It is therefore out of
copyright. Kaviraj here presents his views on the Natha sampradaya,
including information on Kundalini and the imperishable physical body,
and alchemy. Sanskrit/Hindi etc. words in the original text use the
iTrans format. Ed.
Introduction
A detailed and systematic history of Indian Culture
remains yet to be written. But there is hardly any doubt that. before it
can be successfully undertaken continued spade-work is necessary in
various fields of study. The cultural history of a people is no less
complex than its political one, and it becomes all the more so when it
extends through long centuries and represents the outcome of diverse
currents and cross-currents of forces.
The study of Natha and Siddha sects is a preliminary
to a thorough study of mediaeval Indian Thought. Even this study has its
different aspects. The present paper, which sums up some of the main
points on the subject, is therefore meant to be no more than a
suggestive one. And it may be hoped that the subject, will be taken up
for investigation and an attempt will, be made to throw light on the
many obscure issues involved.
Mahamahopadhyaya Haraprasad Sastri drew the attention
of scholars to the literature of the so-called Buddhist Siddhacharyas.
That many of the acharyas were identical with the Nathas, who were known
as Siddhas, is indeed a fact. But their exact position is not known. The
history of Tantrik Literature, specially that of the Tripura section,
abounds in the names of Nathas. Many of these, names are of, course not
proper or historical names at all, but only of certain abstract
principles. But, some are indeed historical, After initiation the
disciple is given there a name ending in Natha. It is needless to say
that we have no concern here with these 'Nathas'. A regular and
systematic study of the teachings of the Hatha Yogins - the Nathas
proper, e.g., Matsyendra Natha, Goraksanatha, etc., - of the Vajrayana
and Sahajayana Buddhists, of the Tantrists of Tripura order and also of
the Virachara cult, of the followers of Dattatreya, of the Saivas, of
the later Sahajiyas and the neo-Vaisnavas, will reveal several features
in common. The relation between Mahayana Buddhism and Tantric culture is
an important one and deserves close and careful examination. It would be
of great interest to find out how the Sunyavada of Mahayana has crept
into Hatha Yoga, Tantra, etc. and how ultimately this Sunya has came to
be interpreted in the way it has been done in the later Buddhist
Schools. All these Schools of Thought being allied to the philosophical
position of the Alchemists the science of Alchemy as it used to be
cultivated in Ancient India has also to be studied. The Rasavada of the
neo-Vaisnavas owes much to the development of the mystic Science
associated with the names of the Siddhas.
The scope of the present paper is not however so
wide. It is an humble attempt to present in a very few words, mainly on
the basis of Mss. and of printed books, a sketch of the doctrines of the
Nathas, together with a short note on the origin of the sect and on the
bibliography of its literature.
Origin of the Sect
As usual in this country the Natha sect claims a divine
origin. Brahmananda, 1in his commentary, called Jyotsna, on
the Hathayogapradipika (1.5), clearly states that Adinatha, or Siva was
the first of all the Nathas and that according to a tradition preserved.
in Nathist literature the sect was founded by Siva:
AdinAthaH shivaH sarveShA.m nAthAnA.m prathamo nAthaH
. tato nAthasampradAyaH pravR^itta iti nAthasampradAyino vadanti .
From the above extract it would appear that the Sect
was known by the name of Natha-panth. Scholars too generally use this
very term in referring to the sect. But in literature - it is also known
is Siddhamarga, Avadhuta marga, etc., and as the teachers of this School
lay a great emphasis on the practice of Yoga for the attainment of
perfection it has come to be designated as Yogamarga par excellence.
The Kapalika sect is in some minor respects closely
allied to it, but it is a distinct path altogether; and though its
origin is attributed to Adinatha, its main teachings and practices have
a character of their own.
The Sabara Tantra gives a list of twenty-four
Kapalikas - 12 teachers and 12 pupils. It is interesting to find that
some of these names, especially those of the pupils, are those of the
well-known Nathas or Siddhas. The names of the twelve teachers, for
instance, are - (1) Adinatha (2) Anadinatha (3) Kalanatha, (4)
Atikalanatha, (5) Karalanatha, (6) Vikaralanatha, (7) Mahakalanatha, (8)
Kala Bhairavanatha, (9) Batukanatha, (10) Bhutanatha, (11) Viranatha and
(12) Srikanthanatha. The names of their twelve pupils appear in this
order (1) Nagarjuna, (2) Jada Bharata, (3) Harischandra, (4) Satyanatha,
(5) Bhimanatha (6) Goraksanatha, (7) Charpatanatha, (8) Avadyanatha, (9)
Vairagyanatha, (10) Kanthadhari, (11) Jalandhara and (12) Malayarjuna.
Though the spiritual descent of the sect is said to
be from the Divine source its historical foundation is ascribed to one
Matsyendra Natha. The life history of this great man is so intimately
woven up with legends that it is very difficult to make a proper
discrimination. It is said that Matsyendra had originally bean s fish
who overheard the secret Yoga instructions of Adinatha or Siva and
become fixed in body and mind (tIrasamIpanIrasthaH kashchana matsyaH
ta.m yogopadesha.m shrutvA ekAgrachitto nishchalakAyo.avatasthe). When
the fact was noticed by the great Lord, He came to know what the
steadiness meant and out of compassion sprinkled water on his body. The
result was that the fish was immediately transfigured and his form was
converted into a human body of celestial type - thenceforward famous as
the Siddha Matsyendranatha. Mm. H. P. Sastri is of opinion that the real
name of Matsyendra was Machchhaghna, which probably means a fisherman,
Be that as it may, there is no doubt that Matsyendra was a Yogin of high
order. It is said that in spite of his great powers he fell a victim to
the snares of passion and that it was with much difficulty that Goraksa,
his most favourite disciple, succeeded in, reclaiming him.
He had several disciples. Besides Goraksa, oho became
the most renowned of the batch, there were Chaurangi, Ghoracholi and
others. There are legends associated with each and every Siddha. And
almost every Siddha is credited with the composition of certain musical
verses which used to be sung in the middle ages and continue to be
recited even now to the tune of an one-stringed instrument by pedestrian
minstrel-beggars in the street.
In the literature of the Nathas one very often comes
across the name Minanatha. It is hard to say whether this was a synonym
of Matsyendra. - The two names were believed by many to refer to the
same person. But in the list of Nathas furnished by Brahmananda we find
the name of Mina mentioned separately from that of Matsyendra (in H. Yo.
Pr. 1. 5 - 9). H. P. Sastri speaks of them as if they were two persons
and says that both of them were natives of Chandradvipa.
The word Chaurangi (=Sk. Chaturangi) means a person
shorn of hands and legs. It is said that while Matsyendra, after he had
become a Siddha through the grace of Adinatha, was roaming at will
through the world he came across Chaurangi in a certain forest and took
pity on him. Chaurangi's body, which was only a trunk, became furnished
in a mysterious way with hands and legs, whereupon he fell at the feet
of the great Siddha, asked for his Grace and obtained it. He became a
Siddha, known as Chaurangi Natha. The following saying is attributed to
him. [The original text omits the saying - Ed]
Ghoracholi was another disciple of Matsyendra.
But the greatest of Matsyendra's disciples - indeed
one of the greatest souls India has ever produced - was certainly
Goraksa Natha. He was a great Siddha, was the father of Hatha Yoga in
its current form and was the great apostle of Yogic mysticism in the
mediaeval ages. In the Panchamatrayogi, attributed to himself, it is
stated that during the period of his discipleship he passed twelve long
years in watchfulness on the cremation ground. Mm. H.P. Sastri says, on
the strength of Taranatha's evidence, that Goraksa was originally a
Buddhist and that he became a Natha only in his later ears. As a
Buddhist he was known by the name of Ananga Vajra (according to
Taranatha, but Ramana Vajra according to Mm. Sastri). This may be true.
But in the Kayabodhi attributed to Goraksa Natha himself, there is a
saying which would seem to show that he had been in all probability
originally a slayer of animals (pashvArambhaka). If the word Arambha
means sacrificial slaughter, as it often does, Goraksa cannot be
described to have been a Buddhist before his conversion into Nathism.
But as it is a mere conjecture the point need not be pressed far.
The age of Goraksa or of his Guru Matsyendra is not
known with certainty. The tradition connecting him with Kabir (1500 A.
D.) and with Madhusudana Sarasvati (1700 A. D.) is not probably of any
historical value. But Jnana Natha, alias Jnana Deva, who is
usually assigned to the thirteenth century, mentions his own spiritual
pedigree, in his commentary on the Bhagavad Gita in which Goraksa Natha
appears as his third predecessor,- thus: Adinatha, Matsyendra Natha,
Goraksa Natha, Gahini Natha, Nivrtti Natha and Jnana Natha. This would
place Goraksa in the beginning of the 12th Century A D. This date agrees
with the tradition which makes Goraksa and Dharmanatha contemporaries
and pupils of the same Guru. Dharmanatha is generally assigned to the
12th Century A. D. But there are other views according to which Goraksa
lived in 500 A. D. or 700 A. D. or 1000 A. D. The disciples of Goraksa
were numerous, some of whom attained to distinction. We read of Bala
Natha, Halika Pava, Mali Pava, etc. as being his disciples. Mayanamati,
the queen mother of Raja Gopichand, is also said to have been initiated
by Goraksa.
This Bala Natha may be the same as the Siddha
Balapada of whom we find an account in the Tibetan literature and who is
identified with the great Jalandhara Natha. He had probably been a
Sudra, but became a Buddhist afterwards and finally a convert to
Nathism. He was a powerful saint. In Bengal he was popularly known as
Hadipa. His greatness was universally acknowledged, some assigning to
him a higher place, owing to his extraordinary sanctity, than Goraksa
Natha himself.2 We can glean some account of this Saint from
Niranjana Purana. It is said that in the neighbourhood of Kerali he
showed Grace to one Sabala, who wrote certain dohas or verses in
memory of his guru and of his own conversion. His achievements were many
and varied. Among the persons on whom he condescended to confer Grace
there was many an illustrious figure. Raja Gopi Chand of Bengal, Raja
Bhartrihari of Ujjein and Charpata3, who is described as the
maternal uncle of Gopi Chand, were among his disciples. The names of
some of his other disciples are Goga4, Chatikanatha, Rama
Sinha5, Bhima, the merchant Agila, the merchant Sandhara (in
Palanpur), etc. He is said to have practised penances on a mountain,
called Rakta, in the City (AdipurI) of Dandavati. Many of his Yogic
feats are recounted. For instance he caused pearls to be miraculously
produced. in the Yugandhara field; he turned a person, named Kanha, born
dumb (janma mUka), into an eloquent Poet; he exhibited the whole
Universe in a clear vision to king Renuka on mount Kanchana and gave him
a wonderful sword; he conferred a boon on a gentleman of the Raghu
family which enabled him to subdue the superior forces of the Emperor
single-handed and granted a lovely son to a Charana named Dala. There
are many other stories of this kind. It is related that once Jalandhara
went to the borders of a village (named Sesali) and lit his dhooni
(AgnidhAnI) there, when a prince came to meet him. Jalandhara was
pleased to present him with an excellent sword, called Rama Chandra,
with which the prince fought and killed several Yavanas - including
those of Joya (?) class, one of whom had assassinated his father.
Thereupon some Bhatis, a clan of the Yadavas, challenged him in battle
and pressed him hard. The prince remembered Jalandhara in the
battlefield, on which the latter appeared before him at once. The sword
was immediately lengthened into an enormous size and the opponents were
beaten back. Having won the battle the prince himself disappeared and
became immortal.
Gopichand, the son of Raja Triloka chandra7
of Bengal, became the disciple of Jalandhara Natha and left his kingdom
at the instance of his saintly mother Mayanamati. The Mahasanta Vakya
contains a short account of his renunciation. The language in which the
queen mother exhorted her reluctant son on the vanity of the world and
its possessions and on the supreme necessity of taking recourse to a
Spiritual Teacher for enlightenment is unrivalled. Seldom in human
history has a mother been found to take the initiative in sending her
own son away in quest of saving Wisdom - a quest fraught with immense
perils and possibility of untold sufferings. The story of Gopichand's
renunciation has become classical, and almost every vernacular of
northern India has got its own versions of it. Gopichand, as a Siddha,
came to be known as Srngari Pava. In the Siddhanta Vakya there is an
interesting dialogue between him and Jalandhara. The former puts to
Jalandhara a series of questions, to which the latter replies. The
questions are thus worded:
gopIchandaH kathayati
bho svAmin.h pR^ichChAmi kathaya antaryAmin.h
vasatau sthIyate tadA kandarpo vyApnute ..
vane sthIyate tadA xut.h santApayati .
Asane sthIyate tadA spR^ishati mAyA
pathi gamyate tadA Chidyate rogaH
kathaya.m katha.m sAdhyate yogaH . Jalandhara answers --
shrotavyo.avadhuta tattvasya vichAraH .
yaH eSha sakalashiromaNiH sAraH .
sa.myata AhAre kandaroi na vyApnute
bAhyArambhe xunna santApayati
siddha Asane nahispR^ishati mAyA
bAda pramANena Chidyate kAyaH .
jihvAyAH sukhAya na kattavyo bhogaH
manaH pavanau cha gR^itItvA sAdhanIyo yogaH ..
He further adds --
alpamashnAti sa tu kalpayati jalpati
bahu bhunakti sa tu rogI .
dvayorapi paxaye AryaH sa.mdhi.m vichArayati
sa tu ko.api viralo yogI ..
The last couplet contains the quintessence of the
Nathic teachings.
The story of Bhartrhari, another prince of royal
blood, is equally interesting. He too renounced the joys and luxuries of
the palace and under the guidance of Jalandhara attained to perfection
in Yoga. In the literature of the Siddhas his name appears as Vichara
Natha.
The Teachings of the Nathas
In the Siddhanta Vakya of Jalandhara we read -
vande tannAthateho bhuvanatimiraha.m bhAnutejasphara.m
vA
sat.hkartR^ivyApaka.m tvA pavanagatikara.m vyomavannirbhara.m vA .
mudrAnAdatrishUlairvimalaruchidhara.m kharpara.m bhasmamishra.m
dvaita.m vA.advaitarUpa.m dvayata uta para.m yoginA.m sha~Nkara.m vA ..
This shows that the metaphysical position of the
Nathas was not monistic, nor was it dualistic either. It was
transcendental in the truest sense of the term. They speak of the Natha,
the Absolute, as beyond the opposition involved in the concepts of
Saguna and Nirguna or of Sakara and Nirakara. And so to them the Supreme
End of Life is to realise oneself as Natha and to remain eternally fixed
above the world of relations. The way to this realisation is stated to
be Yoga, on which they lay great emphasis. It is held that Perfection
can not be attained by any means unless it is supplemented by the
disciplinary practices of Yoga. The Siddhasiddhantapaddhati, attributed
sometimes to Goraksa Natha and sometimes to Nitya Natha, goes further
and says:
sanmArgashcha yogamArgaH taditarastu pAShaNDamArgaH . 8
But what is Yoga? It is explained in different works
in different ways. But in whatever way it is explained the central
conception remains the same. It is what since then has come to be known
as Hatha - a term which is thus interpreted in the Siddhasiddhanta
paddhati -
hakAraH kIrttitaH sUryaShThakArashchandra uchyate .
sUryachandramaseAryAgAd.h haThayogo nigadyate ..
According to Brahmananda the Sun and the Moon stand
here for Prana and Apana, and their union is Pranayama, which is
therefore the meaning of Hathayoga. The conquest of Vayu is thus the
essence of Hathayoga.
It is believed that this kind of Yoga was introduced
in India by the Nathas. The Hatha yoga pradipika (I. 4) says that the
mystery of this Yoga was known only to Matsyendra Natha and Goraksa
Natha. Brahmananda adds the names of Jalandhara, Bhartrhari and Gopi
Chand. It is of interest to note that all these persons were associated
with the Nath panth. Hence it seems likely that Goraksa, or more
probably Matsyendra, was the earliest preacher of Hatha Yoga.9
This need not be inconsistent with the statement -
shrI AdinAthAya namo.astu tasmai yenopadiShTa haThayogavidyA (H.Yo.Pr.
1-1), 10 because every Vidya may be said to emanate in a
sense from the Supreme Lord. 11
It is hard to ascertain how far the tradition
ascribing to the Nathas the foundation of Hatha Yoga as a science is
true. For there is a rival tradition which speaks of two schools of
Hatha, one ancient and the other modern, founded by Markandeya and the
Nathas respectively.
dvidhA haThaH syAdekastu goraxAdisusAdhitaH .
anyo mR^ikaNDuputrAdyaiH sAdhito hathasa.mshakaH .. 12
If this tradition has any historical basis it means
that the Nathas simply revived an ancient and dying science. And this
seems to be the more plausible view to take.
But what was the need of reviving this Yoga at all,
when Raja Yoga was already in a flourishing condition? That the Hatha
Yoga, even in its higher and perfected forms, is only an ancillary, nay
a stepping stone, to Rajayoga, is admitted by the Siddhas themselves.
Patanjali's system is mainly based on Raja Yoga principles; so are the
Buddhist and Jain systems, though in all these the utility of simple
Hatha practices has also been recognised.
The Hatha Yogins are of opinion that for ordinary
people who have very little control over their mind the practice of Raja
Yogi is simply impossible. Mantra Yoga and the practices of meditations
are indeed capable, if properly resorted to, of leading to the
perfection of Raja Yoga; but these too require the exercise of mental
concentration to be of any efficacy at all - an exercise which is beyond
the power of the average man. Hatha Yoga, however, which consists in
certain mechanical devices of the physical character is the only form of
scientific yoga which can be useful in such circumstances. For it does
not presuppose the possession of mental strength which every other class
of yoga more or less implies. We have already said that the essence of
Hatha lies in the conquest of Vayu. It is an article of universal
acceptance in this country that Bindu (essence of the physical body in
the form of Virya, Sukra, or seminal fluid), Vayu (the intra-organic
vital currents) and Manas (mind or the principle of thinking) are
closely related to one another, so that by restraining any one of them
the remaining two may be easily held in check. The restraint of Bindu,
as accomplished by the practice of successful Brahmacharya, being
already assumed, the Hatha yogins direct the control of Vayu as a
preliminary, or rather a means, to the realisation of mental quiescence
which is the ultimate aim of all strivings. But to facilitate this
restraint of Vayu or Pranayama they recommend the employment of a few
other practices, viz. (1) Asana, (2) Mudra and (3) Nadanusandhana.
13
The continued practice of Asana is of great help in
securing the lightness, health and steadiness of the body. These
qualities, once attained naturally react upon the mind. The practice of
Mudra is intended to rouse the dormant Kundalini Sakti without whose
active guidance no spiritual realisation is possible. And the practice
of Nada audition acts directly upon the mind and tends to destroy its
inherent restlessness. As soon as the mind is rendered inactive and the
Vayu is absorbed in the Brahmarandhra there arises the resplendent glory
of Beatific State, technically known as Laya or Manonmani or
Sahajavastha.
It is a state of intense Joy. It is to be observed in
this connection that all these practices are inter-connected.
The practice of Nada can be properly started only
when the Inner Sound, which is in a sense a perpetual current running
through the heart of sensible Nature, comes to be an object of hearing.
And this sound can be heard as a matter of course after the Vayu has
entered into the Susumna Nadi and its various branches rendered free
from the impurities accumulated there for ages. When the Nadis are
purified the Anahata Sound becomes audible at once But this purification
requires the exercise of Asana and Mudra. On the contrary, the
perfection of Asana is impossible until and unless the subtle causes
which operate as deterrents upon the stability of the body are
thoroughly removed. The awakening of Kundalini which is the immediate
aim of the practice of Mudras and indeed of many other practices - is
really bound up with the success, more or less complete, of Asana. In
fact, all these mechanical devices have one end to fulfill, viz. to
release and set in operation the Divine Power lying asleep under the
burden of Matter within Man and to render clear its path of movement.
This path is now blocked up.
The peculiarity of the Yoga which the Nathas taught
consisted in the emphasis which it placed on the physical side of the
discipline. It presupposes a thorough knowledge of the body, with its
nervous and vital apparatus. The general principle on which they
proceeded appears to be the recognition of the graded character of
Matter, ranging from the densest form revealed in our waking
sense-experience up to the most rarefied and tenuous form to which the
end of Samprajnata Samadhi - the so-called Sasmita Samadhi - eventually
leads. I am speaking here in terms of Sankhya nomenclature. The
consciousness of the individual self as enmeshed in grosser matter is
really identical with the Universal Consciousness of the World-soul -
nay,- with Absolute Consciousness itself. Only that limitations have to
be carefully removed. The Hatha Yogis are of opinion that the only
surest and quickest way of transcending the limitations is to rise up,
rather to raise up the Vayu, from one plane to another until the
Universal Stuff is reached in the Spirit-Matter of the Highest Plane
manifesting itself in the so called Thousand-petalled Lotus
(sahastradalakamala). These limitations are the products of stress and
strain caused by the Creative Impulse of the Supreme Lord in Matter.
To speak more clearly. The pure soul, which is a mode
of the Absolute and, ultimately consubstantial with it, becomes
enveloped in its mundane stage with a double coating of Manas and
Bhutas, representing two aspects of subtle matter. The word
Manas is used here in a very wide sense, including buddhi,
anhankara, etc. The senses which develop later and are only the
functional variations of Manas are also implied in it. The word
Bhuta stands here for the objective stuff in a state of relative
equilibrium. It holds within it the so-called tanmatras, viz. sabda,
sparsa, rupa, rasa and gandha, which are not yet distinguishable as
such. Each of the five matras has its own centre, wherein it is capable
of expanding and contracting. The soul in its descending or outgoing
course takes upon itself as a matter of necessity these layers of subtle
matter. Though its innate purity is marred thereby it still retains
enough of self-consciousness and the consequent powers. Total
self-forgetfulness takes place only when it emerges into the outer
world, of gross matter which is the outcome of a combination, by means
of a process known as Panchikarana, of the finer radiating particles
shooting out of the tanmatric centres. The descent into subtle Matter
was, as it were, in a straight line, but birth into the external world
is the product of an oblique motion (tiryag.hgati) in Vayu. As soon as
Consciousness finds itself encased in sensible or gross matter, the
Manas develops into senses which begin to operate each in its own
line with reference to a corresponding aspect of this Matter. It is for
this reason that senses cannot apprehend anything beyond dense Matter.
The Manas, as abstracted from the senses, is indeed capable of
giving rise to supersensible knowledge. The greater the abstraction the
purer the quality of this knowledge. The abstraction of Manas is
really synonymous with its concentration and consequent purification.
The so-called Divyachaksu, the Celestial Eye or the Third Eye of
Siva is nothing but this purified, and concentrated Mind: mano hyevAtra
daiva.m chaxuH. 14 The Manas as coated with dense
Matter may be described as dense or sense-bound. And in this state the
Vayu too is no longer rectilinear in its motion. Every form of Vayu with
which we are familiar in our sensible experience is of this type.
This oblique motion of Vayu in our physical body
necessitates the existence of tracks of an oblique character. This is
what is technically known as Nadichakra consisting of numerous Nadis
ramifying in different directions. Leaving out the Susumna which is the
central track of the straight motion of refined Vayu, the other Nadis
may be loosely classed under two heads, Right and Left, from their
position in relation to the Susumna. The Manas and Vayu of an ordinary
man in his senses move along these winding tracks. This movement is his
Samsara - his Vyutthana.
The Nathas insist that if the Absolute is to be
reached, the central Track, which leads directly into it as a river
loses itself in the ocean, must be found out and resorted to. All other
ways will mislead, as leading to the different planes of material
existence, because they contain sediment of gross matter. As soon as the
divergent currents of physical Manas, the vrttis of the senses, and of
the physical Vayu i.e. the functions of the vital Principle, are brought
to a point with a certain degree of intensity, there flashes forth a
bright light representing the expression of the concentrated Saktis of
the soul. This expression of Sakti is the revelation of Kundalini and
its partial release from the obscuration of Matter. The Sakti as thus
released, however partially it may be, rises up spontaneously and
disappears in the Infinity of the Absolute. This disappearances does,
not mean annihilation it simply means absorption and unification. The
Absolute, as conceived in terms of Sakti, is the Infinity of Sakti
actualised. Sakti is a Unity, whether manifest or otherwise. Brahman is
nothing but the eternally manifest Sakti, which as such is only a
synonym of Siva. It is free from action and from. every tinge of Matter.
But it is a fact that a portion of this Sakti is swallowed up by Matter
and appears to lose its identity under the pressure of the latter. The
Nathas claim that the Sad-guru, the true Spiritual Teacher, alone is
able by virtue of his active Sakti, which is indeed nothing but Siva at
work, to call forth the slumbering Sakti of the disciple. The difference
between Siva and Sakti is really a difference without any distinction.
It is said -
shivasyAbhyantare shaktiH shakterabhyantare shivaH .
antara.m naiva pashyAmi chandrachandrikayoriva ..
(Siddhasiddhanta sangraha, IV. 37)
It is an inscrutable mystery how Sakti can at all be
veiled by Matter. It is, nevertheless, true that once it is released it
is drawn into the Infinite and universal Source which, is actually free.
It is Matter that seems to divide Siva and Sakti, so
that as soon as Matter is transcended this apparent division also
vanishes. And what is Matter itself? It is a phantasm appearing from the
self-alienation of the Absolute as Siva and Sakti. Naturally, therefore,
when Siva and Sakti are united this phantasm vanishes into nothing. We
shall see that the aim of Yoga is the establishment of this Union. This
will also explain the existence of so much erotic imagery in connection
with an account of this mater in the Tantric and Nathic literature, both
Hindu and Buddhistic, in the mediaeval ages.
The point is that the soul cannot know Siva, i.e.
cannot gain self-realisation, so long as it is bound by matter, which it
can do only when its Sakti becomes free. The obscuration of Sakti means
(i) its loss of connection with Siva from which it emanated, (ii) its
consequent engulfment within the dark womb of Primary Matter and (iii)
its final emergence into the dense world of evanescent light which is
produced from Primary Matter. The first and second moments may be
successive in time or only in logical sequence. In any case it
represents the so-called prakR^itilIna stage of the Yoga literature. The
taint of Cosmic Nescience is the characteristic of this stage which
precedes the subsequent evolution. The physical state of bondage, the
third stadium in the present scheme, is characterised by a disturbance
of the relative equilibrium of the forces. By way of illustration it may
be pointed out that the Vayu in the physical body is working unequally -
so are the other forces.
It is therefore enjoined that this inequality has to
be removed. In natural course also it is removed, though only for a
moment, from time to time. This is called the Sandhiksana, corresponding
to the Nirodhaksana of the earlier literature. What is necessary is to
increase the duration of this ksana. It has already been shown that the
Vital and other currents working within the system may be brought under
a twofold head - one flowing along the right course and the other along
the left. The two currents are opposite being positive and negative, and
are supplementary to each other. In the literature of the Siddhas and
Nathas they are known is the Solar and the Lunar Currents, 15
and their tracks as the Solar and the Lunar paths, the Pingala and Ida
Nadis of Hathayoga, respectively. The neutralisation of these Solar and
Lunar forces, often described as Purusa and Prakrti, by allowing them to
act upon, each other by certain specified means, helps to open the
Natural or Middle Track which is called Susumna or Brahma Nadi or Sunya
Nadi. As soon as this Path is opened, which was till now lying blocked
under a heap of dense matter, the Bindu, Vayu and Manas rendered fine
through Kriyayoga rush into it at once and begin to take an upward
course spontaneously.
The awaking of Kundalini, the opening of the Middle
Path, the purification of Vayu and Manas, the rise of Gnosis (praGYA),
the dissolution of Ahankara and the knot of Ignorance (avidyAgranthi)
are different names of this very act from different points of view. It
is not an instantaneous act, as a rule, for the accumulated vasanas -
the heritage of the ages - have to be worked off slowly. The entire
course is graduated. The Nathas generally describe it in terms of Tantra
phraseology as Satchchakrabheda, thus representing the successful
transcendence of each of the six intra-organic Centres as a definite
stage in the journey. This corresponds to the purgative process of the
western mystics and to the bhutasuddhi and chittasuddhi of the upasana
kanda of Tantra.
The secret path of Brahma (brahmanADI) was indeed
known to the Vedic seers. Leaving aside the testimony of the minor
Upanisads, we find evidence of this knowledge in the Chhandogya, where
there is a reference to a Central Nadi running up from the Hrdaya to the
Cranium (mUrdhA). This is evidently the Susumna. It appears from a study
of the ancient literature on the subject that there were mainly four
distinct views on the point from which the upward journey of the Manas
was to be undertaken, the four places according to the four views being
- (1) Muladhara Chakra, (2) Navel, (3) Heart and (4) middle of the two
eyebrows. The Vedic Schools were generally in favour of the 'Heart', but
the Nathas preferred the first and the second places. In every case it
represents the spot where the Manas and Vayu are focussed into a Point.
It is after such concentration that the Great Path reveals itself.
Speaking graphically, one end of this Luminous Path represents Isvara or
Guru, and the other end enlightened Jiva or Sisya and the path itself
the relation between the two. With continued practice the distance
between the two ends begins to be reduced and the Yoga gains in
strength, until at last the path disappears, leaving Isvara and Jiva, or
Siva and Sakti, in close union with each other. As it has been stated
above, the Union may be termed Identity also, in the sense that the two
principles lose all semblance of distinction and inequality and become,
what in reality they have always been, the Absolute.
This is shivashaktisAmarasya, the equilibrium of Siva
and Sakti, manifesting itself in Ananda or Divine Bliss. It presupposes
Jnana or Realisation in the manner just mentioned, and Jnana is the
natural expression of Yoga. This Jnana alone has saving virtue. The
theoretical knowledge gained from a study of books is severely condemned
by the Nathas as a useless lumber, as leading to confusion rather than
illumination.
True Knowledge cannot be gained without Yoga. Merely
intellectual knowledge does not avail for salvation. The Yogabija(verse
64) says - "+ + yogena rahita.m GYAna.m moxAya no bhavet.h". There are
indeed records in history that several people obtained knowledge
directly without the need of practising Yogi. By way of illustration the
names of Jaigisavya, Asita, Janaka, Tuladhara, Dharmavyadha, Pailavakh,
Maitreyi, Sulabha, Saragi and Sandili, to name a few among many such,
may be mentioned. But it is replied that even in these cases the
practice of Yoga in a previous life has to be presupposed. The Siddhas
assert that a man who has obtained Knowledge but not Siddhi will be
required to come under the sanctifying influence of a Siddha in course
of time and through his Grace receive initiation into the mysteries of
Yoga (cf Yogabija 159 - 60). This is absolutely necessary for the
realisation of Moksa. 16
They lay so much emphasis on Yoga, because without
its instrumentality the conquest of physical body cannot be
accomplished. None but a true Yogin can rise above the imitations
imposed by the body. So long as these limitations persist, which imply
not only the passions but also the dependence upon the elements of
nature, the stability of mind and the consequent enlightenment is not
possible. The physical organism, for instance, as it exists in the
present state, is considered to be the source of all evil. It is
affected by the action of the five elements, is afflicted with heat and
cold, and is subject to decay and death. This corruptibility of the
physical body, the Yogins claim, can be overcome only by Yoga.
As it is a very important issue in the study of the
doctrines of the Nathas, it is desirable to consider this question of
physical purification at great length in this context. The human body,
as it is ordinarily known to us with its defects and corruptions, is
described by the Yogins as immature (apakka). It is possessed of all the
characteristics of physical matter. Contact with such a body must
inevitably result in the experience of Pain and in the veiling of the
inherent powers of the soul. For an ordinary man therefore it becomes
practically impossible to subdue the senses and the passions even with
austere self-restraint. The effect of the elements of Nature makes
itself felt, for all his efforts, as a disturbance of the mind. Such a
man is a slave to circumstances. The so-called Jnana is unable to remove
these defects which are incidental to a dense physical body. The body as
such requires therefore to be purified and rendered mature (pakka) by
means of Yoga.
The doctrine of physical immortality, which is an
immediate corollary from that of physical purification referred to
above, finds a special treatment in the system of the Nathas. If the
defects which cling to the dense organism can somehow be eliminated from
it, the body will naturally become immune from disease, decay and death
and from all the ills attendant on physical matter. It will be free from
weight and capable of moving through space with the velocity of thought,
assuming any shapes at will and multiplying itself to any number. It
will pass through a solid wall, enter into a stone, be not drenched by
water, burned by fire or affected by the wind, and it will be invisible
in pure space. It will be able to expand and contract itself and will be
endowed with all the Powers consequent upon the conquest of the five
elements (bhUtajaya). A body like this is said to be rare even among the
gods.
It is pure - purer than Akasa itself. Siddha Kaya,
Divya Deha, Yoga Deha, etc. are but names of this Body, and the process
of this transformation is called Dehavedha, Pindasthainhya, Pinda
Dharana, etc.
It may be pointed out in this connection that the
possession of an immortal body of this kind has been felt to be a
desideratum by the mystics in all ages and in all countries. In the
literature connected with Hatha Yogi, Rasayana (Alchemy), Tantra, etc.
we find repeated references to such a body. It is said that as a base
metal can be transmuted into gold (lohavedha), in the same way a natural
body may be spiritualised (dehavedha). The alchemists of the ancient age
had their own method of transmutation in which mercury, mica, sulphur,
etc. played an important part. They called this body by the name of
"Rasamayi Tanu" and "Hara Gauri Srstija Tanu," because it was effected
through the action of Rasa or Mercury - the seed of Hara (Harasrsti) on
one hand and Mica - the seed of Gauri (Gaurisrsti) on the other. 17
What the alchemists professed to accomplish by means
of Mercury, the Hatha Yogins attempted through the discipline of Vayu.
It is therefore said that Karmayoga by which the stability of the body
is secured, is twofold,- karmayogena deveshi prApyate piNDadhAraNam.h .
rasashcha pavanashcheti karmayogo dvidhA smR^itaH .. Nagarjuna, the
great Mahayana Teacher is said to have been a great alchemist credited
with wonderful powers. He was also a Tantrist and a Yogin of rare
perfection, Many of his followers too were worthy of his name. The
Nathas were apparently influenced by Nagarjuna and his teachings. And
there are indications to show that though the Nathas were advocates of
the Hatha process, they were equally masters of the alchemic lore.
Both the Hatha and the alchemical processes have the
same limitations. They render the body immortal, pure and free. But they
cannot without stepping beyond their bounds lead to the cessation of
mind and the attainment of final equilibrium. They give rise to
Jivanmukti - the state in which Mind and Vayu (Life) continue to remain
steady in the Ajna Chakra illuminated by the white radiance of the
Universal Light of the Sahasrara above. This. state lasts for a long
time - for countless aeons, it may be - during which time the continued
Upasana or the course of Raja Yoga which follows naturally tends to
render the mind liable to sink gradually into the Infinite. From this it
is clear that the true scope of Raja Yoga comes in only after the Hatha
and alchemical processes terminate. 18 Raja Yoga ends in the
Final Illumination of Perfect Wisdom (pUrNa praGYA), which only a
thoroughly purified body and mind, such as what a Siddha Deha implies,
can sustain. A natural and corruptible body is thus totally unfit for
receiving Wisdom19 -- nay, incapable of practising unbroken
meditation which precedes it.
Notes
1. The date of Brahmananda is not known. But as he
refers to Narayana Tirtha in his commentary on the Hatha Yoga Pradipika
(I.4), he must have lived in the beginning of the 18th century or even
later.
2. Cf. Jalandhara stotra attributed to Sabala.
3. In the 'Ananta Vakya' attributed to Charpata, he is called a 'Raja',
that is, a prince of royal heritage. In the 'Maha Santa Vakya'
Mayanamati calls him her brother.
4. About Goga several traditions are in existence, vz. (1) He was the
son of a Chauhan King of Bagar in Rajputhana -- born by the grace of
Goraksa Natha; (2) he lived about 1150 A.D.; (3) he was a contemporary
of Prithvi Raj Chauhan; (4) he was a great warrior and was killed with
his son in a battle with Mahmud of Ghazni in 1024 A.D.
5. Rama Sinha was of "Gaudajati"! Jalandhara showed him Grace on the
banks of the river "Kaliya".
6. It is said that Jalandhara showed special favour to Bhima and
transmitted to him all the Yogic Powers (R^iddhayaH) at once. The name
of one Bhima occurs on the list of Siddhas furnished in the
Varnaratnakara.
7. This name appears in the Maha Santa Vakya, as well as in Marathi
traditions. In the Hindu version of the story Triloka chandra has been
corrupted into Tilaka chand. In more early Bengali works the name occurs
as Trailokya Chandra.
8. Adinatha: yogamArgAt.h paro mArgA nAsti shrutau smR^itau
Vivekamartanda: yogashAstra paThennitya.m kimanyaiH shArsravistaraH,
etc.
9. It may be remembered in this connection that some of the Hatha
practices are associated with the names of certain historical persons of
this school, e.g. Matsyendrasana, Padmasana approved (according to
Brahmananda) by Matsyendra, etc. with Matsyendra; the Jalandhara bandha
with Jalandhara Natha, and so forth.
10. Adinatha taught this Vidya to Parvati, as described in the Mahakala
Yoga Sastra and other works -- girijAyai AdinAthakR^ito
haThavidyopadesho mahAkAlayogashAstrAdai prasiddhaH (jyotsnA)
11. Cf. Yogi Yajnavalkya: hiraNyagarbhA yogasya vaktA nAnyaH purAtanaH,
where Raja Yoga is attributed to Hiranyagarbha.
12. The School of Markandeya recognised eight angas of Yoga, but the
latter school eliminated Yama and Niyama from Yoganga proper and reduced
the number to six.
13. The four aspects of Hatha Yoga are -- (a) Asana, (b) Kumbhaka or
Pranayama, (c) Mudra and (d) Nadanusandhana: "Asana.m kumbhaka.m
chinta.m mudrAkhya.m karaNa.m .. atha nAdAnusandhAnam.h . Pratyahara,
Dharana, Dhyana and Samadhi, as enunciated in Yoga treatises, would come
under the fourth head.
14. Read in this connection the paper on "The Doctrine of Pratibha in
Indian Philosophy" by the present writer in the 'Annals of the
Bhandarkar Institute,' Poona.
15. Amaraugha Sasana attributed to Goraksanatha: yatra cha
mUlabhagamaNDalAnte kuNDalinIshaktirvyanirga.m tA tatra
vAmabhAgod.hbhava somanADikA daxiNabhAgod.hbhavasUryanADikA chandro
vAmA~NgavyApakaH sUryo daxiNA~NgavyApakaH chandro vAmA~Nge
vAmanAsApuTa.m sUryo daxiNA~Nge daxiNanAsApuTam.h ityeva.m suryachandrau
vyavasthitau .
16. Cf. Yogabija (verse 31):
GYAnaniShTho virakto vA dharmaGYo vijitendriyaH .
vinA devo.api yogena na moxa.m labhate priye ..
The Sarvasiddhanta Sangraha, attributed to Sankaracharya, declares the
Yoga view thus: "GYAnamAtreNa muktiH syAdityAlasyasya laxaNam.h etc."
(Patanjali Paksa, verses 4 et seq.).
17. The Rasahrdaya says: ye chAtyaktasharIrA haragaurIsR^iShTijA.m
tanu.m prAptaH . muktAste rasasiddhA mantragaNaH ki~nkaro yeShAm.h ..
The body referred to here is the immortal (nitya), divine body
(divyatanu), produced from Rasa (Mercury) and Abhraka (Mica). The 18
varieties of Rasakarma, known as 18 Sanskaras, have to be gone through
before the desired perfection in the Mercury can be obtained.
18. Cf. "tasmAt.h divya.m deha.m sampAdya yogAbhyAsasavashAt.h
paratattve dR^iShTe puruShArthaprAptirbhavati" (Sarvadarsana Sangraha,
Rasesvara Section). Here the practice of Yoga is evidently in the sense
of Raja Yoga.
19. Cf. Rasahrdaya:
galitAnalpaH sarvAdhavivaxitashchidAnandaH .
sphurito.apyasphuritatanoH karoti ki.m jantuvargasya ..
In the gopichandrera sa.mnyAsa by Sukur Muhammad we read --
1 guru bhajile vAChA amara haya kandha (kandha = skandha = body)
2 bhajile gurura charaNa amara haya kAya .
3 bhajana sAdha nAma japa haibe amara .
All these passages tend to show that the principal instruction given to
the disciple in the school of the Nathas is to make the body immortal.
In the Goraksa Vijaya of Shaikh Faizulla there are similar statements,
some of which are quoted at random, --
1 Apa guru ulaTiyA yoga dhara kAyA tomAra sthira kara nija mantra karaha
smaraNa . P. 115
2 kAyA sAdha Ami punna bali . P. 130
3 kAyA sAve mInanAtha vasiyA Asane . P. 198
4 yoga sAdhe mInanAthe sthira kaila kAyA . P. 198